Posts Tagged ‘poetry appreciation’
Cindy on March 1st, 2010
I have been dissolved and shaken / Worn other people’s faces” — May Sarton
My early introduction to May Sarton’s work was through her diary, Journal of a Solitude. I was new to personal writing at the time, and I admired how Sarton gracefully shared her private and public worlds — her beloved garden; domestic life in New Hampshire; her conflicting needs for solitude and companionship. Reading more of her work over the years, I knew I’d found a kindred spirit.
“Now I Become Myself” first struck me as a song of elder wisdom, a declaration of authentic power. Feeling her “own weight and density,” the poet has outgrown the petty insecurities of youth — including its sense of urgency. Yet the poem speaks to readers of all ages. I gave it to a friend on her 70th birthday and was thrilled to learn it is now one of her favorites. My friend was especially moved by the line, “Now there is time and Time is young.” Which lines speak to you? –CL
Now I Become Myself
By May Sarton
Now I become myself. It’s taken
Time, many years and places;
I have been dissolved and shaken,
Worn other people’s faces,
Run madly, as if Time were there,
Terribly old, crying a warning,
“Hurry, you will be dead before—”
(What? Before you reach the morning?
Or the end of the poem is clear?
Or love safe in the walled city?)
Now to stand still, to be here,
Feel my own weight and density!
The black shadow on the paper
Is my hand; the shadow of a word
As thought shapes the shaper
Falls heavy on the page, is heard.
All fuses now, falls into place
From wish to action, word to silence,
My work, my love, my time, my face
Gathered into one intense
Gesture of growing like a plant.
As slowly as the ripening fruit
Fertile, detached, and always spent,
Falls but does not exhaust the root,
So all the poem is, can give,
Grows in me to become the song,
Made so and rooted by love.
Now there is time and Time is young.
O, in this single hour I live
All of myself and do not move.
I, the pursued, who madly ran,
Stand still, stand still, and stop the sun!
– Reprinted from Selected Poems of May Sarton edited by Serena Sue Hilsinger and Lois Brynes; W.W. Norton & Company; 1978–
–Top photo: Detail from “Book of Shadows,” an altered book, by Cindy La Ferle –
This post is part of a weekly poetry appreciation series. To read more, please click on “Poems to inspire” in the CATEGORIES column at right. As always, I welcome your recommendations, too.
Cindy on February 19th, 2010
Make music of what you can.” — Charles Rafferty
I always knew I wanted to be a writer. When I was a kid, I perched in the gnarly apple tree in my backyard and scribbled my own adventures in a ruled notebook. In college I majored in English and journalism, but it took years before I found the courage (not to mention the income) I needed to begin a real writing career.
The long path that led me here was marked with detours and littered with excuses. The poem below is the wake-up call I needed 25 years ago — but Charles Rafferty hadn’t written it yet. Today I keep it in my back pocket and read it whenever I need a creative kick in the pants.
What dream would you launch if you had all the time in the world? Where would you travel if you knew the road was wide open? What’s fueling your hesitation? –CL
Against Hesitation
By Charles Rafferty
If you stare at it long enough
the mountain becomes unclimbable.
Tally it up. How much time have you spent
waiting for the soup to cool?
Icicles hang from January gutters
only as long as they can. Fingers pause
above piano keys for the chord
that will not form. Slam them down
I say. Make music of what you can.
Some people stop at the wrong corner
and waste a dozen years hoping
for directions. I can’t be them.
Tell every girl I’ve ever known
I’m coming to break her door down,
that my teeth will clench
the simple flower I only knew
not to give … Ah, how long did I stand
beneath the eaves believing the storm
would stop? It never did.
And there is lightning in me still.
Reprinted from A Less Fabulous Infinity, by Charles Rafferty (Louisiana Literature Press; 2006)
–Photo: detail from a mixed-media collage by Cindy La Ferle –
This post is part of a weekly series of poetry appreciation. To read more, please click on “Poems to inspire” in the CATEGORIES column at right. I welcome your recommendations, too.
Cindy on February 11th, 2010
My spellbound heart has made and remade the necklace of songs” — Rabindranath Tagore
Valentine’s Day is coming, and I’ll be the first to admit it can be a guilt-inducing Hallmark holiday. As hard as I try to avoid playing the sentimental fool, lately I’ve been jumping at any chance to celebrate the people I cherish. I’ve lost a few in recent years — so I’m burying old grudges and trying not to leave any of my love unsaid.
Reading Tagore’s “Unending Love” for the first time, I knew it was the perfect poem to give my husband, whose birthday falls on Valentine’s Day. Doug and I met in art class in ninth grade, and immediately felt as if we’d been best friends for ages. We married several years later, after college, and we’ll gratefully celebrate our 30th anniversary this year.
This poem was Audrey Hepburn’s favorite, and if you click here, you’ll hear a reading dedicated to her by Gregory Peck. Love to all! – CL
Unending Love
By Rabindranath Tagore
(Translated by William Radice)
I seem to have loved you in numberless forms, numberless times
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, its age-old pain,
Its ancient tale of being apart or together,
As I stare on and on into the past, in the end you emerge
Clad in the light of a pole-star, piercing the darkness of time:
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount
At the heart of time love of one for another.
We have played along side millions of lovers, shared in the same shy sweetness of meeting,
the same distressful tears of farewell –
Old love, but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you,
The love of all man’s days both past and forever:
Universal joy, universal sorrow, universal life,
The memories of all loves merging with this one love of ours –
And the songs of every poet past and forever.
–Reprinted from Selected Poems, by Rabindranath Tagore (with an introduction by William Radice); Penguin Classics; 2005 –
This post is part of a new weekly poetry appreciation series. For more poetry, please click on “Poems to inspire” in the CATEGORIES column at right.
– Photo: detail from a collage by Cindy La Ferle –
Cindy on January 28th, 2010
Let her have a chair, her shadeless lamp, the table.” — Jane Hirshfield, “The Poet”
The place in which we work — an art studio, a home office, a spare bedroom, or the corner booth at the local diner — is essential to our creative lives.
I often hear would-be writers and artists complain that they can’t practice their craft because they don’t have a studio or a home office. But if we really want to write or paint, sculpt or sew, we’ll find a way to make a space for it. My friend Debbie, for instance, makes no apologies for keeping her sewing machine set up in the living room while she’s working on her projects. And nobody thinks she’s messing up the place. Her visitors are inspired by the cool things she’s creating.
An evocative portrait of an unknown poet’s writing room, this sweet poem, below, always tugs at my heart. It’s a universal image — the writing desk with a single lamp — but Jane Hirshfield makes it intensely personal. She also reminds us that the support of family and loved ones is just as essential as having a room of one’s own. -- CL
The Poet
By Jane Hirshfield
She is working now, in a room
not unlike this one,
the one where I write, or you read.
Her table is covered with paper.
The light of the lamp would be
tempered by a shade, where the bulb’s
single harshness might dissolve,
but it is not, she has taken it off.
Her poems? I will never know them,
though they are the ones I most need.
Even the alphabet she writes in
I cannot decipher. Her chair –
Let us imagine whether it is leather
or canvas, vinyl or wicker. Let her
have a chair, her shadeless lamp,
the table. Let one or two she loves
be in the next room. Let the door
be closed, the sleeping ones healthy.
Let her have time, and silence,
enough paper to make mistakes and go on.
—Reprinted from The Lives of the Heart, by Jane Hirshfield; HarperPerennial; 1997
This post is part of a new weekly series of poetry appreciation. To read more, please click on “Poems to inspire” in the CATEGORIES column at right. As always, I welcome your recommendations, too.
–Top photo “My Desk Chair” (copyrighted) by Cindy La Ferle–
Cindy on January 20th, 2010
And there was a new voice which you slowly recognized as your own.” — Mary Oliver
Part Two of “Poems to inspire,” a new weekly series ….
I admire the way Mary Oliver, a Pulitzer-Prize winning poet, talks about “voices” in this poem. In writing workshops, we often discuss the voice we hear in every writer’s work. And we listen hard to find our own voice, which isn’t so easy. There’s always a cacophony of inner critics and advisers inside our heads — former teachers, co-workers, spiritual directors, family members, and friends. “The Journey” brings shivers of recognition each time I read it aloud in class. It urges us to make our own path; to listen to the one true voice inside. –CL
THE JOURNEY
By Mary Oliver
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice –
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do –
determined to save
the only life you could save.
– Reprinted from New and Selected Poems, by Mary Oliver (Beacon Press); 1992
– Top photo “Journey” by Cindy La Ferle –
My early introduction to May Sarton’s work was through her diary, Journal of a Solitude. I was new to personal writing at the time, and I admired how Sarton gracefully shared her private and public worlds — her beloved garden; domestic life in New Hampshire; her conflicting needs for solitude and companionship. Reading more of her work over the years, I knew I’d found a kindred spirit.
