Cindy La Ferle on February 8th, 2012
Facebook’s initial public offering of stock is likely to make a lot of developers and designers of the site very wealthy. But for many users, frequent Facebooking may not be so beneficial.” — Stephanie Pappas
The Facebook debates are heating up this week, thanks, in part, to the announcement that Mark Zuckerberg filed an IPO for the world’s largest social network. Some are peeved by Zuck’s greed; others are justifiably worried about some thorny new privacy issues.
My own post about quitting Facebook (Jan.24) had nothing to do with the IPO. It was, essentially, about my efforts to spend fewer hours online and to reclaim some quiet space in my overbooked life. (Part of my New Year’s resolution was to live a more “examined” life, which also meant I had to start questioning my online habits and routines.) In other words, my FB piece really wasn’t “anti-Facebook” — nor was it a criticism of the wonderful people on my Facebook friend list.
In any event, the piece was syndicated on BlogHer.com. As of today, it earned close to 23,000 “reads,” which is a lot more traffic than I’m used to — at least for a blog post. On Monday, I was quoted in “Now is the Time to Quit Facebook,” by Chicago journalist Alicia Eller.
Readers’ comments following Eler’s post are fascinating. Among my favorites: “I wasn’t on Facebook before it was cool to not be on Facebook.”
Apparently the topic is so hot that Eler posted another piece on ReadWriteWeb titled “It’s True: You Have Too Many Facebook Friends.” This article offers some fresh analysis on why it’s probably not healthy to spend too much time on Facebook — and why it’s really not cool to have too many Facebook friends. (Hint: It makes you appear insecure.)
In another interesting post, LiveScience journalist Stephanie Pappas discusses new studies on our emotional reactions to Facebook. Check out “Facebook Takes a Toll on Your Mental Health.”
If you’re fascinated by the culture of narcissism and social media addictions, don’t miss these thought-provoking pieces. — CL
Cindy La Ferle on February 5th, 2012
Who was she? I have no idea. But I was inexplicably drawn to her photograph (at left) in an album that once belonged to my mom’s stepmother, affectionately known as Granny Bee.
When Bee died, my mother inherited this magnificent album of sepia-toned photographs — some dating back to the Civil War. Many are marked with the names of photography studios in Chicago or Aurora, Illinois; others are from studios in New Hampshire. Sadly, the folks in the photographs are not identified. Not a single name, event, or date is penciled anywhere.
Bee had no children of her own. I’m her only “grandchild” by marriage — so the fate of this antique album now rests in my hands. And while Bee’s ancestors aren’t technically mine, I feel a certain responsibility toward them.
As it happens, I often use vintage photographs in my mixed-media artwork. (I typically make high-quality copies and preserve the originals.) In particular, the dour-looking mystery woman in Bee’s album has become a perennial favorite. Her deadpan expression is so priceless — and so versatile — that I’ve put her to work in several projects, including greeting cards. She’s worn a red poinsettia on her head for Christmas cards, for instance, and a witch hat on Halloween party invitations.
This week I finished a more fitting tribute to her: a mixed-media “reliquary” of found objects. (Please click the image at the far left for a larger view.) The word remember is incorporated throughout the piece, along with scraps from an old hymnal, sewing notions, vintage fabrics, feathers and twigs. The door to the piece opens to reveal a small collection of old bottles filled with found objects.
“I like photographs that leave something to the imagination.” — Fay Godwin
I’ve even tried to give my mystery woman a proper name. “Isabel” or “Esmeralda” both seem to suit her — yet somehow I sense I’m on the wrong track. Early on, I tried to investigate. But even before her memory was fogged by dementia, my mother couldn’t recall the name of the relative in the photo — nor could she determine her kinship to our beloved Granny Bee. So I’ll have to settle for the stories conjured by my own imagination.
All said and done, crafting something with my hands sets my mind whirling in a thousand different directions. Making art is another way of telling stories. And I love how the process has created my special relationship with the incomparable “Isabel Esmeralda” — a relationship that reaches across time and never stops delighting me.
If she were alive today, would the Victorian mystery woman be honored — or appalled — at being the center of attention in my art pieces? I wonder if I could make her smile. — Cindy La Ferle
“Remember” was chosen for the 2012 All-Media exhibit at the Ann Arbor Art Center, opening September 7, 2012. To view more photos of the piece on Facebook, click here.