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The “R” word

Cindy on January 12th, 2009

“I take rejection as someone blowing in my ear to wake me up and get going, rather than retreat.” — Sylvester Stallone

This week I’m filling out entry forms and taking photos of my work for an art competition. I’m new at submitting my artwork to gallery competitions — and nervous about subjecting myself to a brand-new form of rejection. Here’s a column I wrote a few years ago about learning to deal with rejection as a writer. . . .

The Slings and Arrows of Rejection

I meet them every time I attend a cocktail party or a business function. They’re the stressed-out professionals who’d love to quit their jobs and try “something more fun.” Most of them want to get published. I was cornered by one of these aspiring authors at a seminar last month. A colleague of my husband’s, the man works as a designer for a high-profile architecture firm, but he really wants to be recognized for his byline.

The colleague said he wrote essays occasionally. He had experienced the fleeting thrill of seeing a couple of his pieces in the local paper — “a real high,” as he put it. He wanted to publish more often in Sunday newspaper magazines, and he wanted to earn some money for his writing. But after receiving several rejection slips, he was ready to give up.

“How do you handle the rejection?” he asked. “I just hate rejection.”

“Well, I deal with it the same way architects do when their designs get shot down,” I told him.

“Oh, no,” he said. “That’s not as personal.”

Rejection and its evil twin, Criticism, are part and parcel of the writing life. I don’t care much for either of them, yet both keep in touch with me periodically. And while it’s true that rejection letters can sting for a few days, eventually you get used to them. You learn to accept that you can’t hit the editorial bull’s-eye every time.

A fellow writer once offered this consolation, and I believe she’s right: If you’re not getting rejection letters, you’re not aiming high enough or sending out enough material. You have to toughen up, get busy, and hold your breath every time you open the mailbox. And you must start the process all over again.

As I reminded the guy from the architecture firm, “personal” rejection is hardly the sole province of publishing. Anything you dearly hope to achieve, including love itself, holds the possibility of loss. That said, I’ll admit that the very word “rejection” dissolves bone marrow and turns warm blood to ice water. On a really bad day, it can make even the most aggressive self-promoter drop her best ideas and run home.

That’s why I often share a favorite story about Madeleine L’Engle, whose award-winning children’s book, A Wrinkle in Time, was rejected by more than forty publishers before it finally went to press. “Every rejection slip was like the rejection of me, myself,” L’Engle wrote. But she believed in her book, believed in its power to inspire children, and absolutely refused to let it die. Today it remains a beloved best-seller for young people.

It also helps to remember that the craft of writing offers second and third chances. As Frank Lloyd Wright said, “A doctor can bury his mistakes, but an architect can only advise his client to plant vines.” Thankfully, redemption is so much easier for writers. We can reorganize, revise, revamp, and send our stuff out into the world again.

But the real secret to coping with rejection — aside from keeping faith in your own abilities — is to enjoy the process, the work itself. You have to fall in love with words and take pleasure in the way you string them together. And it’s essential to remember that publishing, as novelist Anne Lamott once said, is an addictive drug. Your last hit will never feel like enough.

Still, the small victories are sweet. Not long ago, one of my favorite pieces was rejected by a regional magazine. Several postage stamps later, it was accepted by a national publication for more money than I’d expected — and I hadn’t changed a word. That doesn’t happen as often as I’d like, of course. Just often enough to fuel my hopes and make my work more fun than architecture. – Cindy La Ferle

*This piece was first published in The Daily Tribune, Royal Oak, MI, then in my book, Writing Home. Last year it was excerpted in Sixty Candles: Reflections on the Writing Life, published by the American Society of Journalists and Authors.

Tags: A Wrinkle in Time, Anne Lamott, architecture, Books, careers, creative work, creativity, culture, Frank Lloyd Wright, journalism, Madeleine L'Engle, personal growth, rejection, rejection letters, women's issues, writers, Writing Home, writing life
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